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#Komplete audio 10 software
The inclusion of a great suite of ‘everything you need to start producing tracks’ software (including the phat Moog sounds of Monark) make the Komplete Audio 2 a high-value package deal.SI is a technology based U.S. Yes, it’s a few bucks more than some of the competition but NI throw more than enough goodies into the package to sweeten the deal. As I mentioned, don’t get stressed by the price.
Native Instruments will instantly grab a chunk of the 2-in/2-out interface market. Recording a groove to a drum beat felt natural and sounded pretty sweet.
#Komplete audio 10 drivers
The drivers play very nicely with my 2018 MacBook Pro, with negligible monitoring latency, something I’ve often been plagued with by my slightly anaemic dual-core CPU. Komplete Audio 2’s preamp sounded just fine (lots of gain, and any self noise was utterly negligible), though monitoring through a channel in my DAW (Reason) did give my bass considerably more ‘oomph’ compared to piping it straight through the interface into my ears. Not all interfaces allow you to overlay your direct monitoring, and yet it’s not necessarily an improvement on the switches you see on a box like the Focusrite Scarlett. That said, it’s a great idea on NI’s part. The theory is enticing, while in practice it was sometimes difficult to find the right blend - I found adjusting Spotify’s volume helped me to arrive at the right balance a little more reliably. Using this pot, I could, in theory, fade in as much of the track I was rehearsing to, while simultaneously hearing enough of my bass without any DAW lag. Here it’s most unique feature demonstrated its worth: the ‘Input-Host’ crossfade pot – Komplete Audio 2’s take on direct monitoring. It’s plug ’n’ play with MacOS - something its predecessor the Komplete Audio 6 couldn’t boast of - and served as my personal bass practice DI on its first outing. NI’s newest interface plays just as you’d expect. Everything you could expect and probably need from an interface in this segment. There’s a big knob on the top for tactile volume control, and a high-output headphone socket on the front. It features a pair of TS output jacks for monitoring (the little bro has RCAs) and clear LED (VU) level readouts for its two combo inputs - both preamps are equipped with ample gain. That said, the chassis blends in nicely with your (okay, my) Space Grey MacBook or your matte black everything else. It’s of a plastic construction, so don’t expect an object hewn from a solid block of titanium. I spent the most time with the Komplete Audio 2, a USB2 bus powered 2-in/2-out interface. But NI realises the importance of a hardware host for its top-shelf code. In some ways, this page should be a review of all the software that comes with the interfaces - they’re worth more than the hardware, that’s for sure. Native Instruments’ Komplete Audio 1 and 2 interfaces help to get those new to the game a super-quick foothold into the world of music production.
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